Three migrant school kids—Ray Ahn (Korean), Peter “Blackie” Black (Croatian), and Keish DeSilva (Sri Lankan)—bonded over their outsider status and a mutual passion for punk music, forming the band The Hard-Ons in Sydney’s western suburbs. Inspired by punk’s ethos, which Ray described as “music that spoke to aliens,” the trio embraced their differences in a community intertwined with meat pies and cricket. Choosing a name to provoke the right reactions, they began playing backyard gigs, quickly transitioning to the inner-city’s vibrant music scene with their first pub gig at The Vulcan Hotel. As their popularity soared, so did unwanted attention from neo-Nazis and skinheads, leading to confrontations that the band countered with humor and defiance, famously performing shirtless on advice from Ray's father to showcase their diversity. The Hard-Ons’ irreverent approach to music and snarky attitude often clashed with the conservative music industry, especially as their lyrics and Ray’s art drew ire. Yet, their intelligent, punchy tracks like "Girl in a Sweater" won over fans and critics alike, propelling them to become Australia’s biggest independent band, despite lacking radio play from major stations. Their international tours challenged stereotypes of Australian culture, with European and UK audiences baffled by their unpretentious stage presence. Despite personal struggles and the evolving music industry’s focus on marketable aesthetics, The Hard-Ons continued to innovate without compromising their image, culminating in major successes like their album "Yummy" and memorable performances at the Big Day Out. As grunge reshaped the musical landscape, The Hard-Ons found themselves regarded as pioneers of a bygone era. Yet, their commitment to musical adventure remained unshaken, even as industry pressures mounted. In the end, The Hard-Ons’ legacy as misfits in an increasingly commercial industry highlighted their fundamental impact on music and culture, steadfast in their originality and influence on the punk scene. Filmmakers in Attendance